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Suggestion to watch Stephen King’s best movies embrace low art Theviraltime


Suggestion to watch Stephen King’s best movies embrace low art Theviraltime

If he’s known for one thing, Stephen King is the horror guy. He’s the author who wrote Carrie, or It, or The Shining, or any other work you can think of that seems designed to burrow deep into your psyche and discover what scares you most. King is really good at it, too, whether you’re more familiar with the books he’s written or the movies almost all of them have been turned into.

What’s core to King’s appeal, though, is that his stories embrace the schlock that is the cornerstone of the horror genre. Christine is a story about a killer car, and while it’s also about teenage isolation and a general feeling of purposelessness, it’s also very much just about a car that tries to kill people on behalf of its owner. King has never shied away from the pulp inherent in the conceits of his stories, and he recognizes that his readers are so loyal in part because his books are entertaining in addition to whatever hidden meanings they might convey. He grew up reading pulpy paperbacks, and he’s just brought his own stylish prose to that same material.

Defenses of King’s work, and arguments about whether or not his stories qualify as “literature,” have been roiling for years now. Of course, designations like that ultimately lie, to some extent, in the eye of the beholder, but there is an undeniably concerted craft in the way that King wrings terror out of his audience. He takes familiar settings, and specifically the world of comfortable white suburbia, and unveils the darkness hidden just beneath the surface. It’s not Blue Velvet, but it’s not pure drivel either.

the top-ranked movie by users on IMDb. When you really think about it, though, it’s not a shock that Shawshank tops that list. It’s a touching portrait of a male friendship that, while well told, is not digging too far beneath the surface.

The movie’s protagonist is an uncomplicated hero, and his belief is a simple one — that even in the most dire circumstances, hope is essential to survival. That idea is, if not pulpy, not incredibly complex or singular either. But director Frank Darabont, in embracing that idea with reservation, crafts a story that speaks to a lot of people. He’s taking a page right out of one of King’s many, many novels. Shawshank is a pretty straightforward example of King’s populism translating to the big screen.

Stand By Me works the same way. It’s a story told by an adult narrator about a dark adventure he had as a child, and the reason it works is because it’s a movie about childhood nostalgia made for adults. Similar to Shawshank, the emotions here are big and unsubtle. Youth was a time of uncomplicated happiness, and adulthood slowly wears away at that until all you have left are your memories.

said in a recent viral interview clip, “there are movies that people put their hearts into, and there are movies that people try to cash in on.” King’s best adaptations have plenty of heart, and funnily enough, many of them also made a fair chunk of change. That’s the genius of Stephen King: He can straddle the line between commerce and art, and imbue pop art with soul and intelligence that few authors, and fewer literary adaptations, possess.

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